Maren Krüger
Maren Krüger teaches oboe and recorder and is glad to give an early years music class for four- and five-year-olds.
View Maren Krüger’s profile →Woodwind instrument
Oboe Lessons in Cuxhaven
In oboe lessons you learn breathing, embouchure and how to work with the reed – for the warm, expressive tone that so often carries the melody in an orchestra. Cuxhaven Music School is a public, non-profit music school in Cuxhaven-Ritzebüttel, run by FeMiC e.V. Lessons are open to children, teenagers and adults – whether you are starting out or coming back to music.
Your oboe teacher
How lessons work
Because of the demands it makes on embouchure and breathing, pupils usually begin the oboe a little later, often from around nine or ten. Many children start on the recorder and move to the oboe afterwards. We work out in the lessons when the right moment has come.
- Individual lessons: 30 or 45 minutes, weekly – or as a block of 5 lessons that you arrange with your teacher.
Whether oboe lessons are also possible in pairs or in a group is something we are happy to discuss when you get in touch.
Fees
Individual lessons cost from 69 € a month (children and teenagers) or from 83 € (adults). You will find all fees – including 45-minute lessons and lesson blocks – on our fees page.
Trial lesson and registration
The easiest way to request a free trial lesson is our contact form – choose “Oboe” as the subject. You can reach the office by phone on 04721 666868 on Thursdays from 10 a.m. to 12 noon; the office is closed during the school holidays. You can also contact the teachers directly – their details are in the profiles on our teachers page.
You will find us in the historic Ritzebüttler Schule building:
Cuxhaven Music School · FeMiC e.V., Grodener Chaussee 11, 27472 Cuxhaven
The oboe in brief
The oboe has an unmistakable, expressive tone – and a special role: the whole orchestra tunes to the note it gives.
At a glance
The oboe is a woodwind instrument with a double reed. Its penetrating, slightly nasal and highly expressive sound is unmistakable. It has a particular task in the orchestra: all the other instruments tune to the a′ it sounds.
History & origins
The oboe developed in seventeenth-century France out of the medieval shawm; its name goes back to the French “hautbois”, meaning high wood. Its mechanism was refined during the nineteenth century. It is considered a demanding instrument — one that rewards plenty of practice and patience.
Construction & how it works
The conical body is usually made of dark grenadilla wood and fitted with keys. Its heart is the double reed: two thin blades of cane bound together, held between the lips. Many oboists make or adjust their own reeds, since so much of the sound depends on them.
Sound & tuning
Blowing air between the two blades sets them vibrating and produces the tone. Pitch is controlled by the keys and by the embouchure and reed. Its characteristic sound – warm and penetrating at once – makes the oboe instantly recognisable in the orchestra, which is why it gives the tuning note.
Playing & technique
A precise embouchure and finely judged air pressure are decisive. Because the opening between the reed blades is very small, little air is used – so the breathing must be carefully paced and surplus air released deliberately. That makes long, expressive phrases possible.
Role & repertoire
The oboe has numerous famous solos in the symphony orchestra, and in the wind quintet it is a load-bearing voice. It is firmly established in baroque music too, and as a solo instrument with a concert repertoire of its own. Its tone is most moving in sustained, songlike melodies.
The oboe family
The oboe family includes the slightly lower oboe d’amore and the lower, warmly sounding cor anglais. A further double-reed relative is the bassoon, which forms the bass voice of this group. All share the characteristic, overtone-rich sound of the double reed.
The reed – the heart of the oboe
No component matters more to the sound than the double reed. It wears out and has to be replaced or reworked regularly; experienced players often make their own. Reeds are kept moist and stored carefully. At the beginning the teacher takes care of choosing suitable reeds that speak well.
For beginners: what makes the oboe special?
The oboe has an unmistakable, carrying tone and often the loveliest solos in the orchestra – an instrument of real character. Because oboists are comparatively rare, players are very welcome in ensembles and orchestras. Getting started calls for some patience with the embouchure, but the expressive sound repays the practice quickly. Short, concentrated sessions focused on a calm, beautiful tone work best. Anyone who brings that initial patience is rewarded with an instrument that always stands at the centre of the ensemble. The oboe’s warm, singing tone often moves listeners directly, and makes practising worthwhile from the very start.